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This exhibition features more than 30 black and white photographs of braceros taken by the photojournalist collective known as the Hermanos Mayo. It also uses narratives, video and artifacts to tell the story of the Bracero Program. The program grew out of a series of bi-lateral agreements between Mexico and the United States, bringing Mexican men to the United States as guest-workers on short-term, primarily agricultural labor contracts. In 1942, these workers came to remedy wartime production shortages by supplying much-needed labor during the early years of World War II. The Bracero Program, which derived its name from the Spanish word for a manual laborer, “bracero” continued uninterrupted until 1964. During this extensive program, 4.6 million contracts were signed, with many individuals returning several times on different contracts, making it the largest United States contract labor program. An examination of the exhibition images, documents, and artifacts contributes to our understanding of the lives of migrant workers in Mexico and the United States, as well as our knowledge of immigration, nationalism, labor practices, and race relations.
This exhibit is free and open to the public
The Chola is a significant figure in the Latina imagination for the ways that she represents a feminine strength, power, and resilience in the face of racial, gender, and economic adversity. She is a figure that many young Latinas in the U.S. admire and emulate. The last few years have seen a surge in interest in the Chola as a figure and this exhibition will explore this dynamic from a feminist perspective through art and popular culture.
The Qué Chola Photo Board will be displayed in the exhibition and is an opportunity to honor the Cholas in our lives, past and present, by sharing photos of homegirls showing off their style and pride.
If you have a photo you’d like included on the photo board you can send them to us. And if you send them before March 8, they will be part of the Qué Chola! opening reception. For more information on how to share, click here.
Adriana Avila and Benjamin Avila
Amy Martinez, Kari Orvik, and Vero Majano
Jesús “Chuy” Rangel
Judith F. Baca
Valerie J. Bower
Vicko Alvarez Vega
And special thank yous to Marble Brewery for creating a new beer, Chicanisma–a delicious dark Mexican lager–that will be available at the reception and all of their taprooms! And Rude Boy Cookies for providing custom cookies for dessert!
Southwest of Eden: The Art of Adam and Eve
NHCC Art Museum Community Gallery
This exciting exhibit features approximately sixty works of art from the Joyce Kaser Collection. Southwest of Eden: The Art of Adam and Eve examines the various ways in which New Mexican artists and others visually portray these two famous figures as well as the flora and fauna in their surroundings. For example, how many apples are featured, or are they pomegranates? Is the serpent male or female? Is it animal or human, or half-and half? Is Eve always the instigator, or is Adam assuming some responsibility? Situated in the NHCC Art Museum’s highly popular community gallery, Southwest of Eden invites the visitor to take a closer look at the imagery, symbolism and the story of what happened in the garden.
Curated by Dr. Tey Marianna Nunn , Director and Chief Curator of the NHCC Art Museum, the exhibit El Perú: Art in the Contemporary Past, will aim to break down stereotypes of what visitors expect to see in a “Peruvian art exhibit.” The exhibit will highlight works by 20th and 21st century Peruvian artists, all of whom explore the Peruvian pre-colonial and colonial past while addressing race, class and inclusion in the contemporary present. Works include photography, sculpture, ceramics, painting, and multimedia.
There is a growing Peruvian community in New Mexico and throughout the southwest (not to mention the United States). This will be the NHCC Art Museum’s first exhibit to showcase Peruvian visual arts and the museum greatly looks forward furthering appreciation of Peru by sharing the inherent nuances of this incredible country and its artists.