Film: El muerto y ser feliz
12 pm (available for 48 hours Instituto Cervantes Vimeo Channel Here On the top floor of a Buenos Aires hospital, an aging Spanish hitman who has spent half his life […]
Film: El muerto y ser feliz Read More »
12 pm (available for 48 hours Instituto Cervantes Vimeo Channel Here On the top floor of a Buenos Aires hospital, an aging Spanish hitman who has spent half his life […]
Film: El muerto y ser feliz Read More »
12 pm (available for 48 hours Instituto Cervantes Vimeo Channel Here Set in the 1920s, Pedro Olea’s Un hombre llamado Flor de Otoño introduces one of the first homosexual characters
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12 pm (available for 48 hours( Instituto Cervantes Vimeo Channel Here In José Luis Garci’s Asignatura pendiente, a clandestine love affair set during the last years of the Franco regime
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12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here A timid young boy growing up in a small Spanish town starts school for the first time,
Film: La lengua de las mariposas Read More »
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here Manicomio, Fernán-Gómez’ directorial debut, reworks several stories from different sources about the world of inmates in psychiatric
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here F.F.G. Un retrato is a short film dedicated to Fernán-Gómez by critic and filmmaker Jesús García de
Film: Fernando Fernán-Gómez cumple cien años: F.F.G. Un retrato Read More »
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here Esfinge urbana, the most experimental work in María Lorenzo’s extensive filmography, is a composition based on Valencian
Film: Creadores de animación para el siglo XXI: Esfinge urbana Read More »
12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here María Trénor’s ¿Dónde estabas tú? challenges the viewer to reflect on the universal reality of violence against
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12 pm (available for 48 hours) On the Instituto Cervantes Vimeo Channel Here In Yo, based on a story by Arthur Schnitzler, Begoña Arostegui confronts the perplexity we encounter when
Film: Creadores de animación para el siglo XXI: Yo Read More »